3. Identify an example of metaphor: explain which two things are being compared. 4. Find two separate examples of alliteration. List the alliterative words. 5. Where is repetitionused in this poem? Why do you thinkthat it is used this way? 6. What action is described in the third stanza of the poem? 7. How is imagery used in this poem? What is described? by Carl Sandburg The shadows of the ships Rock on the crest In the low blue lustre Of the tardy and the soft inrolling tide. A long brown bar at the dip of the sky Puts an arm of sand in the span of salt. The lucid and endless wrinkles Draw in, lapse and withdraw. Wavelets crumble and white spent bubbles Wash on the floor of the beach. Rocking on the crest In the low blue lustre Are the shadows of the ships.

this labor, by slow prudence to make mild.   c. ability to govern well

do you know the story wonder?

well on wonder it has different stories from each person and they can all share their thoughts and feeling each not just one. if there was one you would only get to see one persons thoughts and feelings. so do a story point on multiple of the main characters.

hope i !

- lilblakeyout

the answer is a

explanation:

it was surely an odd creature that one made up by reading the historians first and the poets afterwards a worm winged like an eagle; the spirit of life and elegance and charm,   in a kitchen chopping up suet. but these creatures, monst'r however entertaining to the imagination, hast no existence in fact. what one might doth to bringeth h'r to life wast to bethink poetically and prosaically at one and the same moment,   thus keeping in toucheth with fact—that the lady is mrs martin, ag'd thirty-six, did dress in blue, wearing a black coxcomb and brown shoeth; but not losing sight of fiction eith'r—that the lady is a vessel in which all s'rts of spirits and f'rces art coursing and flashing p'rpetually. the moment, howev'r, yond one tries this method with the elizabethan mistress, one brancheth of illumination fails; one is did hold up by the scarcity of facts.   one knoweth nothing detailed, nothing p'rfectly true and substantial about h'r.   hist'ry scarcely mentions h'r.   and i did turn to professeth'r trevelyan again to seeth what hist'ry meanteth to that gent.   i hath found by looking at his chapt'r headings yond t meanteth.