Read this excerpt from "Eavesdropping" from One Writer’s Beginnings by Eudora Welty and answer the question. When I was young enough to still spend a long time buttoning my shoes in the morning, I’d listen toward the hall: Daddy upstairs was shaving, in the bathroom, and Mother downstairs was frying the bacon. They would begin whispering back and forth to each other up and down the stairwell. My father would whistle his phrase, my mother would try to whistle, then hum hers back. … I drew my buttonhook in and out and listened to it – I know it was "The Merry Widow." The difference was, their song almost floated with laughter: how different from the record, which growled from the beginning, as if the Victrola were only slowly being wound up. They kept it running between them, up and down the stairs where I was now just about ready to run clattering down and show them my shoes.

Which of the following is/are examples of parallelism used in the above excerpt? Select all that apply.

"Daddy upstairs was shaving … Mother downstairs was frying the bacon."
"They would begin whispering back and forth to each other up and down the stairwell."
"My father would whistle his phrase, my mother would try to whistle"
"I was now just about ready to run clattering down"

Read the excerpt from act 1 of a doll's house. helmer: nora! [goes up to her and takes her playfully by the ear.] the same little featherhead! suppose, now, that i borrowed fifty pounds today, and you spent it all in the christmas week, and then on new year's eve a slate fell on my head and killed me, and— nora: [putting her hands over his mouth]. oh! don't say such horrid things. helmer: still, suppose that happened, —what then? nora: if that were to happen, i don't suppose i should care whether i owed money or not. helmer: yes, but what about the people who had lent it? nora: they? who would bother about them? i should not know who they were. helmer: that is like a woman! but seriously, nora, you know what i think about that. no debt, no borrowing. there can be no freedom or beauty about a home life that depends on borrowing and debt. we two have kept bravely on the straight road so far, and we will go on the same way for the short time longer that there need be any struggle. nora: [moving towards the stove]. as you , torvald. how does the interaction between helmer and nora advance the plot? nora realizes that helmer will completely disapprove of her having borrowed money, so she has to continue to keep it a secret from him. nora realizes that she and helmer have the same ideas about financial issues, and the conversation brings them closer together later in the play. helmer realizes that nora is more responsible with money than he originally thought, and he trusts her more with finances later in the play. nora realizes that helmer knows a lot more about borrowing and lending, and she will seek his input later when she needs it.