What was most likely the author’s reason for using the specific animal imagery that they did when describing Zhang Fei?

a- The animals that Zhang Fei is compared to are all very powerful, respected and fearsome creatures which mirror and help the reader to get a sense of his personal characteristics

b-Zhang Fei became famous in China for slaying and wearing the skins of the animals he is described as which foreshadows the animals killing him later in the story

c-The character of Zhang Fei is a cold, heartless, violent warrior who acts on his instincts rather than intellect or morality and his lack of basic human qualities makes him animalistic

d-Zhang Fei’s character in this story is a talented shape-shifter and regularly takes the form of the animals which he has come to resemble even in human form

guarenteed the right to self organization

answer :

the idiom "pride goes before a fall" means that being too proud causes one to make mistakes that eventually lead to failure or downfall.

in the stranger's story in the "the storyteller," bertha had won three medals for obedience, punctuality and good manners. she was really proud of her medals and pinned them to her dress and wore them everywhere she went so that everyone would know how good she was. in the end, these symbols of her excessive pride cost her her life. when she was hiding from the wolf in the bushes, it was the clinking of her medals that alerted his attention towards her presence and lead to her death.

besides the fact that he was asked to make a "few appropriate remarks," why do you think that president lincoln limited himself to so few words? to what extent do you think this has an effa road map has a scale of 10 miles per inch. the length of the straight-line road on the map between two cities is 6 inches. if the road between the cities has a speed limit of 30 mph, about how long should it take to drive from one city to the next?

biographical remarks present the shifting perception and re-interpretation of figures projected by the authors, or by the society represented by the authors. the portrayals in biographical accounts thus reflect the turning view-of-value in course of history. this paper particularly explores the ways in which “heretical” figures are represented in their biographical accounts, focusing on arabic zindīq poets who flourished in the 2nd century a.h. and are known for their extreme or heretic behavior. it will be discussed that the marks of their heretical deeds are presented in different ways, and the actuality of their activity, such as the association with the early theological thinkers (or mutakallimūn in arabic), is occasionally replaced by more narrativized and unrealistic anecdotes in later sources, the tales being reproduced to underscore the value of poets such as humor or quick-wittedness. the anecdotes also can highlight the qualities of their opponents who appear as their refuters. the chronological tracing of their biographical information from multiple sources reveals the fluctuating value of discourses of “heresy,” mirroring the turning religious reality and the imagined quality of the figures lived in the early period. the paper eventually aims to historically contextualize the functions of “speaking-about-heretics” as a subject of narratives, which works as a tool for writers to express manifold contemporar