Minijogger's Musical Workout by Tirzah Tyler The mouse jogged quickly on the keys. This was his nightly exercise. He flexed his calves and bent his knees, down-up, down-up, fall-rise, fall-rise. His muscles grew with each race heat, so weighty on the piano that some music played beneath his feet with each pound-pound, each pitter-pat. "Hey, Minijogger, that sounds nice," said Rex the cat about the tune. "Thank you, my friend. I need advice— should I record an album soon?" Just then, the creatures heard a shriek that pierced the quiet nighttime lulls. The owner of the house, Monique, had heard the talking animals. She fainted with two frightened sighs and crumpled with a frightened splat. "Perhaps she just needs exercise," the jogging mouse said to the cat. 2 How does the author help the reader "see" Monique's response to the talking animals? A. The author groups lines into stanzas. B. The author describes the animals. C. The author draws an illustration. D. The author uses descriptive words.

i really dont know the answer so i cant

biographical remarks present the shifting perception and re-interpretation of figures projected by the authors, or by the society represented by the authors. the portrayals in biographical accounts thus reflect the turning view-of-value in course of history. this paper particularly explores the ways in which “heretical” figures are represented in their biographical accounts, focusing on arabic zindīq poets who flourished in the 2nd century a.h. and are known for their extreme or heretic behavior. it will be discussed that the marks of their heretical deeds are presented in different ways, and the actuality of their activity, such as the association with the early theological thinkers (or mutakallimūn in arabic), is occasionally replaced by more narrativized and unrealistic anecdotes in later sources, the tales being reproduced to underscore the value of poets such as humor or quick-wittedness. the anecdotes also can highlight the qualities of their opponents who appear as their refuters. the chronological tracing of their biographical information from multiple sources reveals the fluctuating value of discourses of “heresy,” mirroring the turning religious reality and the imagined quality of the figures lived in the early period. the paper eventually aims to historically contextualize the functions of “speaking-about-heretics” as a subject of narratives, which works as a tool for writers to express manifold contemporar

answer: because, they were good human beings

here, maybe this will be more -

singular:

first person- i, me, my, mine

second person- you, your, yours

third person- he, she, him, it, his, her, hers

plural:

first person- we, us , our, ours

second person- you, your, yours

third person- they, them, their, theirs.

but the answrer is a. first person.