Excerpt from Experimental Art
Hank Jaskulka

I’ve got another world of which I like to gladly dream.6

Some say that it’s abnormal; my affections are exclusive.7
In science, they say, emotions are something quite elusive.8
The author makes the claim that "In science, they say, emotions are something quite elusive." This claim could be better supported if

A) the author added at least five or six more stanzas about his dreams.
B) the author gave more examples of successful works of art he'd completed.
C) the author specified who the "they" is and quoted these critics directly.
D) the author described in detail a few of the science experiments he'd done.

answer: b. grete might have remained as shy and immature as she was at the beginning of the story.

one of the most interesting characteristics of gregor's metamorphosis is that, although he is the only character who has physically changed, it is this same change which triggered a transformation in the rest of his family.

by taking care of gregor, grete has become stronger and more confident. she has found a life outside of the house, and has become more independent and self-sufficient. the novel implies that the trigger for the change is gregor's own transformation, and that without it, grete was likely to remain as shy and immature as she was at the beginning of the book.

explanation:

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: