Read the excerpt from Poe's "The Fall of the House of Usher."
I say that even their exceeding density did not prevent our perceiving this -- yet we had no glimpse of the moon or stars -
- nor was there any flashing forth of the lightning. But the under surfaces of the huge masses of agitated vapour, as well
as all terrestrial objects immediately around us, were glowing in the unnatural light of a faintly luminous and distinctly
visible gaseous exhalation which hung about and enshrouded the mansion.
Which statement best describes the effect of the narration on the story?
The narration suggests a supernatural presence at the dwelling.
The narration suggests a scientific phenomenon is occurring.
The narration suggests a surprising change in the weather pattern.
The narration suggests an approaching sunrise.

go to crash course lititure and go to seconed page and it shows a video about that

vey information about pap? physical description beliefs actions interactions

what were the pronouns? did it use i, me, and my? if so, it was first person. if it had pronouns like you and your it was second person point of view. if it used he, she, and they, it was 3rd person point of view.

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran