PART A: How does the author’s discussion of Sujatha Baliga’s own experiences with abuse and forgiveness contribute to the text?

A
It emphasizes how much more difficult it is for people to forgive offenders who are close to them, as opposed to strangers.
B
It suggests that forgiveness and restorative justice are not always the right course of action for victims and offenders.
C
It shows how sometimes restorative justice isn’t necessary between an offender and a victim; forgiveness is enough.
D
It shows how forgiveness can free victims from the painful emotions that they often continue to carry with them.

Read the lines from "there was a child went forth" and answer the question. and the apple-trees cover'd with blossoms, and the fruit afterward, and wood-berries, and the commonest weeds by the road; and the old drunkard staggering home from the out-house of the tavern, whence he had lately risen, and the school-mistress that pass'd on her way to the school, and the friendly boys that pass'd—and the quarrelsome boys, and the tidy and fresh-cheek'd girls—and the barefoot negro boy and girl, and all the changes of city and country, wherever he went. which poetic device is exemplified in this stanza? select all that apply. allegory anaphora imagery metaphor

What is the speaker telling the grecian urn in these lines from “ode on a grecian urn”? he wishes the urn could talk so he could hear its stories. he knows the urn will still be around for others to see after he is dead. he fears that when he gets old, the urn will suffer because nobody else will take care of it. he wishes the people frozen on the urn could warm up and come to life.

Read the excerpt from act 3 of a doll’s house. mrs. linde: you seemed to me to imply that with me you might have been quite another man. krogstad: i am certain of it. mrs. linde: is it too late now? krogstad: christine, are you saying this deliberately? yes, i am sure you are. i see it in your face. have you really the courage, then—? mrs. linde: i want to be a mother to someone, and your children need a mother. we two need each other. nils, i have faith in your real character—i can dare anything together with you. krogstad [grasps her hands]. , , christine! now i shall find a way to clear myself in the eyes of the world. ah, but i forgot— how does the conflict in this passage develop a theme? mrs. linde creates a conflict by promising something she cannot give to krogstad, which develops the theme that empty promises can destroy relationships. krogstad continues the conflict by choosing clearing his name over having a life with mrs. linde, which develops the theme that you must often choose yourself over others. krogstad creates a conflict by deceiving mrs. linde about his intentions, which develops the theme that, in love, actions speak louder than words. mrs. linde resolves the conflict by committing to a new life with krogstad, which develops the theme that new beginnings are always possible.