Question 1:
Which of these stage directions best explains the children's feelings toward one another?
A. (The kids gather onstage. DYLAN returns and gives JUSTIN the iPod. The White kids circle up.
Bearmeats are unsure.)
B. (The dance ends. Whites and Bearmeats can't get away from each other fast
enough.)
C. (JUSTIN hits the music, the "Chicken Dance.")
D. (Everyone cleans. TWODI and MORGAN toss a couple glares at each other. CHRISTOPHER and
LIZZIE bump into each other on the porch. It's instant chemistry.)

ccd puts the honeybee populations and crop health at risk.

the above detail from paragraph 2 supports the inference about honeybee.

the autor of the text is bringing the point that one achievment of the president john f. kennedy was a success and this caused the next president to use a similar idea. the purposefor the use of the quotation in the text is to support the idea that peace corps was a result of the president's call. in this case, the quotation is presented as part of the writing and does not stand on its own.

answer a.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran

the statement that identifies the central idea of "the salem and other witch trail hunts" is d. while witch hunts may feel like a rare occurrence, mike kubic proves that such   incidents are not as uncommon as we originally thought.

the author is trying to show that witch hunts come in various forms and are produced by the fear of what isn't understood or it's different.