Put the following steps of the TPCASTT analysis process in the correct order:

Name the theme of the poem

Locate any shifts in the poem

Determine any connotative devices in the poem

Re-examine the title for analysis

Paraphrase the lines of the poem

Analyze the title of the poem

Describe the attitude of the poem - including the persona

Pls, i really need on this question?

Geoffrey is writing a paper investigating friendly-fire incidents in recent us military actions. which paragraph topic would be relevant to his paper and would therefore merit inclusion in his final draft? a) a paragraph criticizing us military actions in the viet nam war b) a paragraph discussing how friendly-fire incidents are investigated c) a paragraph describing what basic boot camp is like for a new army enlistee eliminate d) a paragraph discussing how hard an extended military service can be on a family

Read the following scene from trifles. sheriff (chuckling). married to the law. (moves toward the other room.) i just want you to come in here a minute, george. we ought to take a look at these windows. county attorney (scoffingly). oh, windows! sheriff. we’ll be right out, mr. hale. (hale goes outside. the sheriff follows the county attorney into the other room. then mrs. hale rises, hands tight together, looking intensely at mrs. peters, whose eyes take a slow turn, finally meeting mrs. hale’s. a moment mrs. hale holds her, then her own eyes point the way to where the box is concealed. suddenly mrs. peters throws back quilt pieces and tries to put the box in the bag she is wearing. it is too big. she opens box, starts to take the bird out, cannot touch it, goes to pieces, stands there . sound of a knob turning in the other room. mrs. hale snatches the box and puts it in the pocket of her big coat. enter county attorney and sheriff.) county attorney (facetiously). well, henry, at least we found out that she was not going to quilt it. she was going to—what is it you call it, ladies! mrs. hale (her hand against her pocket). we call it—knot it, mr. henderson. what changes might a director or screenwriter make to the original version of this scene in order to best emphasize the mood? cut dialogue from the scene to make it a more appropriate length update the setting to appeal to a more modern-day audience omit the actions of the characters to avoid confusion and chaos include the use of lighting, camera angles, and sound effects