Please help and fast, i have to get this assignment done before sunday

Use evidence from the text to support your answers. Make sure to answer all parts of each question. Use complete sentences, correct grammar, and check your spelling.

1.What is King’s argument (central idea)? How does he effectively communicate this to his audience? Use text to support your answers.

2. Why does the author choose the words “manacles of segregation and chains of discrimination” in paragraph 2? What imagery is he creating? Find at least one more example of imagery in the speech and explain.

will mark most helpful answer as brainliest

MLK is equating segregation and discrimination to slavery; he's saying that the manacles of segregation and the chains of discrimination are just as strong, and just as wrong, as the literal manacles and chains of slavery. His point is that any black discriminated against and segregated is still as good as enslaved.

Explanation:

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-A Helping Friend

her eyes water as she let her go

her mothers hand goes limp

face white and pale

lips blue and stale

she is gone

sadness fills her body

she collapses to her knees

as her mothers disease leaves the girl alone

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran