According to the structure of the second sentence of paragraph 2 ("i did not . . quisome may argue that learning another language is difficult, and they are probably right. but there are more advantages that make the effort worth it. why does the author include these sentences? a. to address an opposing view about the benefits of learning another language b. to persuade others that the benefits of learning another language is job security c. to show that learning another language requires hard work and determination d. to suggest that not everyone has the ability of learning to speak another languagete necessary"), the word "resignation" is parallel to a. "living is so dear." b. "what was not life." c. "necessary." d. "unless it was quite necessary."

the first paragraph i did this and passed the test with 5 wrong

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran