Read the excerpt from suffragists' "great demand" banner.

the picketing was amplified on sunday, march 4, 1917, the day of wilson’s second inaugural, when the congressional union for woman suffrage and the national woman’s party organized a demonstration to "encircle the president’s mansion with a chain of purple, white and gold.” in spite of a drenching rain, more than one thousand people came out to stand in silent vigil for several hours. a mile or so away, jeannette rankin of montana took her seat in the house of representatives as the first woman to be elected to the u. s. congress.

according to the passage, which event spurred the demonstration around the president’s mansion?

a drenching rainstorm
the election of jeannette rankin
an increase in picketing downtown
the inauguration of president wilson

zimbabwe yoboma nu

what are the words supposed to be listed?

all of the above

awnser:

the thousand and one nights – or, as i prefer to call them in the following forpurely practical reasons: the arabian nights – as we perceive them three hundredyears after antoine galland’s epochal french adaptation bear a distinct arabicimprint. meanwhile, the commonly accepted model for their textual historyacknowledges various stages in the conceptualization and effective formation ofboth the collection’s characteristic frame story and the embedded repertoire. thevast majority of tales in the preserved manuscripts of the nights has beenintegrated into the collection during two periods of arabic influence, the so-calledbaghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages arepreceded by an iranian version, probably dating to pre-islamic times, which in itsturn profits from both structural devices and narrative contents originating fromindian tradition. considering the eminent position that iran and iranian culturehold in the early stages of the textual history of the arabian nights, surprisinglyfew details are known concerning the collection’s relation to and its actualposition within the iranian cultural context. in the following, i will discuss linksbetween the arabian nights and iranian culture on several levels. in surveyingthese links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabiannights in modern iran