Nora: oh, you wouldn’t understand. go in to them, i will come in a moment. [mrs. linde goes into the dining-room. nora stands still for a little while, as if to compose herself. then she looks at her watch.] five o’clock. seven hours until midnight; and then four-and-twenty hours until the next midnight. then the tarantella will be over. twenty-four and seven? thirty-one hours to live. helmer: [from the doorway on the right] where's my little skylark? nora: [going to him with her arms outstretched] here she is! –a doll’s house, henrik ibsen which statement best explains how ibsen creates suspense in this passage? he uses a flashback to show the audience a possible outcome for one of the play’s central conflicts. he uses foreshadowing to tell the audience how the conflicts in the play will ultimately be resolved. he uses dramatic irony by sharing nora’s thoughts with the audience, revealing that torvald will her. he uses dramatic irony because the audience knows that nora is planning to kill herself, while torvald does not.
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English, 22.06.2019 01:30
Write a 250- word essay in which you explain the significance of the different narrative voices in “the way to wealth.” use evidence from both texts to support your response
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English, 22.06.2019 02:00
Answer fast. read the excerpt below and answer the question. i will tell you the tale of my wanderings and of the “herculean” labors, as i may call them, which i endured only to find at last the oracle irrefutable. socrates’ use of the word “herculean” in this excerpt from the apology is an example of what literary device? allusion metaphor onomatopoeia simile
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English, 22.06.2019 10:50
How many characters' thoughts does the reader have access to in a second-person narrative? a. one b.two c.all d.none e.three
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English, 22.06.2019 12:30
Read the sentence from fish cheeks on christmas eve i saw that my mother had route does the stuff in creating a strange menu what message does amy tan's description send
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Nora: oh, you wouldn’t understand. go in to them, i will come in a moment. [mrs. linde goes into th...
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