Select the part of the dictionary entry that provides information about the origin of the word
tolerate
tolerate l'tä-le- räti v. 1. to permit; to allow the existence, presence, or practice of something
; 2. to put up with something bad, to endure; 3. to experience something harmful or
unpleasant without being harmed, 4. to accept the feelings, behavior, or beliefs of someone
else; 5. medicine to endure or resist the action of (a drug poison, -tolerator n.,
tolerative adj. 1525–1535;

a source card is mage during research to tell the facts about the source one is using.

the significance of the title, "the passing", is related to the fact that the main characters, who are three african-american descendant women, are passing as white. this means that, because of their light-coloured skins they look like white women. one of the three friends, clare, is married to a white man and she lives in a white community and she has never told her husband that she is black. the title can easily be connected to the idea of pretending to be someone you are not and of losing your real identity in order to be accepted by society.

the thousand and one nights – or, as i prefer to call them in the following for purely practical reasons: the arabian nights – as we perceive them three hundred years after antoine galland’s epochal french adaptation bear a distinct arabic imprint. meanwhile, the commonly accepted model for their textual history acknowledges various stages in the conceptualization and effective formation of both the collection’s characteristic frame story and the embedded repertoire. the vast majority of tales in the preserved manuscripts of the nights has been integrated into the collection during two periods of arabic influence, the so-called baghdad and cairo periods (gerhardt 1963: 115–374). these “arabic” stages are preceded by an iranian version, probably dating to pre-islamic times, which in its turn profits from both structural devices and narrative contents originating from indian tradition. considering the eminent position that iran and iranian culture hold in the early stages of the textual history of the arabian nights, surprisingly few details are known concerning the collection’s relation to and its actual position within the iranian cultural context. in the following, i will discuss links between the arabian nights and iranian culture on several levels. in surveying these links, i will treat five major areas: (1) the iranian prototype of the nights; (2) tales of alleged persian origin; (3) persian characters within the tales; (4)persian translations of the arabian nights; and (5) the position of the arabian nights in modern iran