Will mark !

how does the flashback in paragraphs 2-5
affect the story?

it explains why luci left her job,
which builds tension.

it suggests that the narrator may
struggle to manage young children,
which builds tension.

it provides a humorous description
of benito's previous experience
teaching drama to children, which
makes the reader like benito more.

it raises questions about how the
camp is managed, which creates a
mystery that benito wants to solve.

3rd person, because the narrator is out of the story but explains the feeling of the main character

i’m writing a memoir and i’ve been given the great suggestion of placing a ‘sub-narrative’ within some of the chapters – sort of, what was going on with me in the grand scheme of things.

i was wondering how to format this so that it is very obvious we are stepping out the of story.

firstly is a change in font from serif to sans workable? i also use dashes for a scene change. was thinking of using a different scene-changer too.

here’s a (shortened) example:

university – or what’s known as ‘uni’ in australia – were some of the best days of my life. where else do you get to potter around in a great location, have very little responsibility, learn lots of things, do lots of things and walk out four years later with a bonus – a degree!

with my university years i had immersed myself into community of intelligent ambitious people. generally everyone had a confidence about themselves. they knew where they were going in life and weren’t threatened by others.

—–

next normal paragraph continues here…

(sorry couldn’t show the fonts in this comment field)

too much?

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the central idea is basically saying that juveniles that have committed a crime will not have the same consequences as the   adults that have. they will have a softer punishment than what the adults have that is harsh in some ways.