Ay, there's the point: as--to be bold with you-- not to affect many proposed matches of her own clime, complexion, and degree, whereto we see in all things nature tends-- foh! one may smell in such a will most rank, foul disproportion thoughts unnatural. but pardon me; i do not in position distinctly speak of her; though i may fear her will, recoiling to her better judgment, may fall to match you with her country forms and happily repent. no fear

The given extract is taken from the play of William Shakespeare "Othello".

Explanation:

The lines are spoken by Iago in Act 3, Scene 3.

Iago is the antagonist of the play and the most villainous among Shakespeare's villains. Iago had manipulated Othello in believing that his wife Desdemona is cheating on him with his lieutenant Cassio. He does so because he is jealous that he was overlooked for this position so he plans revenge.

In the given quote, Iago is trying to convince Othello of Desdemona's unfaithfulness. He asks Othello to keep watch on Desdemona. Othello eventually agrees.

- "a nonrestrictive clause functions as a modifier to a noun (that is an object, person or concept). these clauses can be described by the following three options: it is set off by comas, it contains a subject and a verbs and it adds nonessential information to the sentence.

for example, in "here is bill gates, who confounded microsoft software company" we can identify "who confounded microsoft software company" as a nonrestrictive clause modifying the noun bill gates. this clause can be describes as a nonrestrictive clause because it is separated by a comma, it adds nonessential information to identify who bill gates is and it must contain both a subject (who) and a verb (confounded)."

it was surely an odd creature that one made up by reading the historians first and the poets afterwards a worm winged like an eagle; the spirit of life and elegance and charm,   in a kitchen chopping up suet. but these creatures, monst'r however entertaining to the imagination, hast no existence in fact. what one might doth to bringeth h'r to life wast to bethink poetically and prosaically at one and the same moment,   thus keeping in toucheth with fact—that the lady is mrs martin, ag'd thirty-six, did dress in blue, wearing a black coxcomb and brown shoeth; but not losing sight of fiction eith'r—that the lady is a vessel in which all s'rts of spirits and f'rces art coursing and flashing p'rpetually. the moment, howev'r, yond one tries this method with the elizabethan mistress, one brancheth of illumination fails; one is did hold up by the scarcity of facts.   one knoweth nothing detailed, nothing p'rfectly true and substantial about h'r.   hist'ry scarcely mentions h'r.   and i did turn to professeth'r trevelyan again to seeth what hist'ry meanteth to that gent.   i hath found by looking at his chapt'r headings yond t meanteth.