What is the effect of the logical fallacy in this excerpt?

read the excerpt from "work."

so of doctors. they like fees no doubt—ought to like them; yet if they are brave and well educated, the entire object of their lives is not fees. they, on the whole, desire to cure the sick; and—if they are good doctors, and the choice were fairly put to them—would rather cure their patient and lose their fee than kill him and get it. and so with all other brave and rightly trained men; their work is first, their fee second; very important always, but still second.

a. it implies that only doctors who put money second are good doctors.

b. it encourages good doctors to refuse payment from their patients.

c. it suggests that people who study medicine only care about how much money they will make.

d. it implies that only doctors who are brave and well educated make good doctors.

Diego rivera was a famous artist from mexico. most of his paintings were murals. murals are paintings that are made directly on a wall. rivera thought that all people should be able to see beautiful art, not just people who could afford to go to museums. this is why he painted most of his murals on the walls of public buildings

In about two hundred words, explain how the author's use of folktales and symbolism add meaning to the story and convey the central theme of the novel: the disintegration of the traditional igbo society as a result of its contact with european practices and beliefs.

In this excerpt from "quality" by john galsworthy, which two parts clearly indicate the literary point of view of the essay? that tenement had a certain quiet distinction; there was no sign upon its face that he made for any of the royal family—merely his own german name of gessler brothers; and in the window a few pairs of boots. i remember that it always troubled me to account for those unvarying boots in the window, for he made only what was ordered, reaching nothing down, and it seemed so inconceivable that what he made could ever have failed to fit. had he bought them to put there? that, too, seemed inconceivable. he would never have tolerated in his house leather on which he had not worked himself. besides, they were too beautiful—the pair of pumps, so inexpressibly slim, the patent leathers with cloth tops, making water come into one's mouth, the tall brown riding boots with marvellous sooty glow, as if, though new, they had been worn a hundred years. those pairs could only have been made by one who saw before him the soul of boot—so truly were they prototypes incarnating the very spirit of all foot-gear. these thoughts, of course, came to me later, though even when i was promoted to him, at the age of perhaps fourteen, some inkling haunted me of the dignity of himself and brother. for to make boots—such boots as he made—seemed to me then, and still seems to me, mysterious and wonderful.