Read the passage.
(1) shadow puppet theater is an ancient form of entertainment in which figures and props cut from leather are placed in front of an illuminated screen to "act out a story. (2) though shadow puppets
no longer always made of leather, shadow puppet theater is still much the same as it was in the past and is still popular in many countries, including indonesia, where it is a traditional art form. (3) at
every shadow puppet theater performance is the dalang, or puppeteer, who is a combination narrator, voice actor musician, and educator. (4) the dalang use his or her voice to narrate the story and
of the various characters, and he or she also employs a series of signals to coordinate the story with the orchestra that plays a musical accompaniment. (5) because shadow puppet theater performan
many hours, the datang must be a strong person with formidable powers of endurance.
which is the most effective way to vary the sentences in this passage?
make some sentences shorter.
begin sentences with different parts of speech.
invert the order of subjects and verbs.

is that the whole question?

about 25% of a paper can be direct quotes.

awnser: the oxford dictionary of quotations (oup 1970) has 66 pages of quotations

attributed to the writings of william shakespeare in which there are 2369 quotations,

which may reflect well over 5000 speeches, discussions, observations and comments

that are present in shakespeare’s work. it is largely from those speeches and discussions

on shakespeare’s 37 plays, as well as his, and others’ poems, that examples have been

taken here.

in this book all quotations from his poems and plays have been taken from various

editions of the arden shakespeare.

the writer is very much indebted to the rapid response provided by his son, henry

audley-charles , for cries of , guidance, advice and repairs to his ageing pc, that

henry provided at all hours. without this assistance over the last 3 years this book

could not have been written.

in addition, the writer is much for the kind by discussion and proof readings from

elizabeth macbeth and janet hulse; and for his knowledge of shakespeare’s plays and

poems in discussions with monsieur francis saillart; and especially for years of proof

reading, support and with this book from my wife brenda amy cordeiro. above

all, the debt i owe is to professor david price, vice provost research. he has acted as

the editor and the guide for the whole project. this has been far from easy with

changes repeatedly being made by the author and which continued after professor price

had provided all the editorial structure for this project.