Based on how the stage directions are used in this excerpt from act i, scene i of richard iii, what is likely the main purpose of providing stage directions in a drama? (alarum. enter king richard iii and richmond; they fight. king richard iii is slain. retreat and flourish. re-enter richmond, derby bearing the crown, with divers other lords) richmond (henry vii): god and your arms be praised, victorious friends, the day is ours, the bloody dog is dead. sir william stanley. courageous richmond, well hast thou acquit thee. lo, here, this long-usurped royalty from the dead temples of this bloody wretch have i pluck'd off, to grace thy brows withal: wear it, enjoy it, and make much of it. a. to provide information about how the characters should move or speak onstage b. to provide lines of dialogue for the characters c. to provide information to the audience about the setting of the play d. to provide the audience some insight into the motivations of the characters

*ill give best answer brainliest*read the excerpt below and answer the question. we did not know, as yet, which was the better side, right or left, which road led to prison and which to the crematoria. still, i was happy, i was near my father. our procession continued slowly to move forward. another inmate came over to us: “satisfied? ” “yes,” someone answered. “poor devils, you are heading for the crematorium.” he seemed to be telling the truth. not far from us, flames, huge flames, were rising from a ditch. something was being burned there. a truck drew close and unloaded its hold: small children. babies! yes, i did see this, with my own eyes . . children thrown into the flames. (is it any wonder that ever since then, sleep tends to elude me? ) so that was where we were going. a little farther on, there was another, larger pit for adults. what is the conflict portrayed in this excerpt from elie wiesel’s night? select all that apply. the external conflict between the nazis and the jews the external conflict between the nazis and the allies the external conflict between wiesel and the inmate the internal conflict between wiesel’s memory of the burning bodies and his desire for peaceful sleep