What is a one way the structure of the fly best reflects the poems literal meaning ? a. the ryhtym suggests a flys annoying buzz b. the short lines reflect the small size of the fly c. the use of one long snetence reflects a long summer day d. the number of lines reflects the number of flies.

b The short lines reflect the small size of the fly

B. The short lines reflect the small size of the fly

Explanation:

The structure of "The Fly" by William Blake the topic of value and amount of human life that is underestimated is best mirrors the ballad's rhyme.

The rhyme in "The Fly" is ABCB all through the ballad, with the exception of the last stanza in which the rhyme is changed in AABA. Changing the rhyme interfaces together "I" and "Fly" which adds to his contention that human life can be as effectively finished as the life of a fly.

Utilizing versifying dimeter, Blake makes an impact of a nursery rhyme, make it sound shortsighted, which contributes to his argument that humans take quantity and quality of life for granted, without any thought.

malvolio only loves olivia because he thinks if they get married to olivia he will have a noble title, people to serve him, and fine clothes to wear. also he thinks if they get married he will have many expensive things, and he thinks he will be able to order toby around. malvolio only wants to be noble and boss people around he dose not really love olivia. but viola love for duke orsino is real she really loves orsino.

i think he will fail because he tried to get her to love him and she said oh, you are sick of self-love, malvolio. there is no slander in an allowed fool. so i think she knows what malvolio is trying to do. she knows that he only wants to marry her because he wants to be noble and boss people around so that it why i think she said oh, you are sick of self-love, malvolio. there is no slander in an allowed fool because she new he was selfish.

harlem's  cotton club boasted the talents of duke ellington. singers such as bessie smith and billie holiday popularized blues and jazz vocals. jelly roll morton and louis armstrong drew huge audiences as white americans as well as african americans caught jazz fever.