Select the correct text in the passage. which three sentences in this excerpt from f. scott fitzgerald's "winter dreams" show that dexter’s interest in judy jones has more to do with her beauty than her personality? it began like that—and continued, with varying shades of intensity, on such a note right up to the denouement. dexter surrendered a part of himself to the most direct and unprincipled personality with which he had ever come in contact. whatever judy wanted, she went after with the full pressure of her charm. there was no divergence of method, no jockeying for position or premeditation of effects—there was a very little mental side to any of her affairs. she simply made men conscious to the highest degree of her physical loveliness. dexter had no desire to change her. her deficiencies were knit up with a passionate energy that transcended and justified them.

The sentence that demonstrate Dexter's enthusiasm for Judy Jones has more to do with her magnificence than her identity in this passage from F.Scott Fitzgerald's "Winter Dreams" is Dexter surrendered a piece of himself to the most immediate and deceitful identity with which he had ever come in contact.

The correct answer in PLATO is as follows:

There was no divergence of method, no jockeying for position or premeditation of effects—there was a very little mental side to any of her affairs.

She simply made men conscious to the highest degree of her physical loveliness.

Dexter had no desire to change her.

in "letter from a birmingham jail," king argues that there are four basic steps in any nonviolent campaign: "[c]ollection of the facts to determine whether injustices exist; negotiation; self purification; and direct action." finally, direct action is taken and acts such as boycotts and sit-ins are staged.

answer:   a good wench, give it me.

iago

good girl, give it to me.

emilia

what will you do with ’t, that you have been so earnest

325to have me filch it?

emilia

and what are you going to do with it? why did you want it so much that you begged me to steal it?

iago

  why, what is that to you?

iago

what’s it to you?

emilia

if it be not for some purpose of import,

give ’t me again. poor lady, she’ll run mad

when she shall lack it.

emilia

if you don’t need it for some important reason, then give it back to me. poor lady, she’ll go crazy when she sees it’s missing.

iago

be not acknown on ’t,

330i have use for it. go, leave me.

iago

don’t admit to knowing anything about it. i need it. now go, leave me.

exit emilia

emilia exits.

i will in cassio’s lodging lose this napkin

and let him find it. trifles light as air

are to the jealous confirmations strong

as proofs of holy writ. this may do something.

335the moor already changes with my poison.

dangerous conceits are in their natures poisons

which at the first are scarce found to distaste,

but with a little act upon the blood

burn like the mines of sulfur.

i’ll leave this handkerchief at cassio’s house and let him find it.to a jealous man, a meaningless little thing like this looks like absolute proof. this handkerchief may be useful to me. the moor’s mind has already become infected with my poisonous suggestions. ideas can be like poisons. at first they hardly even taste bad, but once they get into your blood they start burning like hot lava.

enter othello

othello enters.

    i did say so.

340look, where he comes. not poppy nor mandragora

nor all the drowsy syrups of the world,

shall ever medicine thee to that sweet sleep

which thou owedst yesterday.

here he comes. no drugs or sleeping pills will ever give you the restful sleep that you had last night.

othello

    ha! ha! false to me?

othello

argh! she’s cheating on me?

iago

why, how now, general? no more of that.

iago

oh, general, , no more of that!

explanation: