Two cradle songs: innocence and experience william blake from songs of innocence sweet dreams, form a shade o’er my lovely infant’s head! sweet dreams of pleasant streams by happy, silent, moony beams! sweet sleep, with soft down
 weave thy brows an infant crown! 
 sweet sleep, angel mild,
 hover o’er my happy child! sweet smiles, in the night
 hover over my delight! 
 sweet smiles, mother’s smiles,
 all the livelong night beguiles. sweet moans, dovelike sighs,
 chase not slumber from thy eyes! 
 sweet moans, sweeter smiles,
 all the dovelike moans beguiles. sleep, sleep, happy child! 
 all creation slept and smiled.
 sleep, sleep, happy sleep,
 while o’er thee thy mother weep. sweet babe, in thy face
 holy image i can trace; 
sweet babe, once like thee
 thy maker lay, and wept for me: wept for me, for thee, for all,
 when he was an infant small.
 thou his image ever see,
 heavenly face that smiles on thee! smiles on thee, on me, on all,
 who became an infant small; 
 infant smiles are his own smiles; 
heaven and earth to peace beguiles. from songs of experience sleep, sleep, beauty bright, dreaming in the joys of night; sleep, sleep; in thy sleep little sorrows sit and weep. sweet babe, in thy face
 soft desires i can trace,
 secret joys and secret smiles,
 little pretty infant wiles. as thy softest limbs i feel,
 smiles as of the morning steal
 o’er thy cheek, and o’er thy breast
 where thy little heart doth rest. o the cunning wiles that creep
 in thy little heart asleep! 
 when thy little heart doth wake,
 then the dreadful light shall break. what is implied in this second poem in the poet's use of phrases like "secret joys," "secret smiles," and "cunning wiles"? a) the child lacks imagination. b) the child is silly. c) the child has grown up. d) the child has lost its innocence.