Which of these scenes from jane eyre could woolf best add as an example to support this claim?

hence it is that both emily and charlotte are always invoking the of nature. they both feel the need of some more powerful symbol of the vast and slumbering passions in human nature than words or actions can convey. . they seized those aspects of the earth which were most akin to what they themselves felt or imputed to their characters, and so their storms, their moors, their lovely spaces of summer weather are not ornaments applied to decorate a dull page or display the writer's powers of observation—they carry on the emotion and light up the meaning of the book.

which of these scenes from jane eyre could woolf best add as an example to support this claim?

we had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner . . the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question.

a ridge of lighted heath, alive, glancing, devouring, would have been a meet emblem of my mind when i accused and menaced mrs. reed: the same ridge, black and blasted after the flames are dead, would have represented as meetly my subsequent condition, when half-an-hour's silence and reflection had shown me the madness of my conduct, and the dreariness of my hated and hating position.

i covered my head and arms with the skirt of my frock, and went out to walk in a part of the plantation which was quite sequestrated; but i found no pleasure in the silent trees, the falling fir-cones, the congealed relics of autumn, russet leaves, swept by past winds in heaps, and now stiffened together.

. . great grey hills heaved up round the horizon: as twilight deepened, we descended a valley, dark with wood, and long after night had overclouded the prospect, i heard a wild wind rushing amongst trees.

idk good luck

explanation:

the answer should be the first one. "many people find his lyrics very moving."

it by far makes the most grammatical sense and is very objective, removing any first person from the original sentence and keeping with the sentence fluency.