3) The Hertzsprung-Russell diagram shown here suggests that A) supergiants have a higher absolute brightness than the Sun. B) white dwarfs have a higher absolute brightness than the Sun. C) supergiants have a lower absolute magnitude than the Sun. D) white dwarfs have a lower absolute magnitude than the Sun.

A) supergiants have a higher absolute brightness than the Sun.

D) white dwarfs have a lower absolute magnitude than the Sun.

Explanation:

The Hertzsprung-Russel diagram is a diagram representing:

- The surface temperature of the star on the x-axis (on a decreasing scale, so from higher to lower)

- The absolute brightness (luminosity) of the stars on the y-axis

The H-R diagram is characterized by the presence of a diagonal line going from the top left corner to the bottom right corner, and this line contains most of the star. Stars along this diagonal are the stars in the main sequence, which is the longest stage of life of a star, characterized by a stability due to the balance between the gravitational inward pressure and the outward radiation pressure of the star.

However, supergiant stars are located outside this diagonal, and in particular in the top right corner of the diagram (in fact, these stars have a very high luminosity but a lower temperature).

On the other hand, white dwars are also located outside the main sequence diagonal, having a lower luminosity and a higher temperature (so they are located in the bottom left corner).

The Sun, instead, is located approximately at the center of the main sequence diagonal.

Therefore, the correct option is

A) supergiants have a higher absolute brightness than the Sun.

D) white dwarfs have a lower absolute magnitude than the Sun.

the cell theory states that all living things including animals, as well as plants, are made of cells.

post-impressionism is a predominantly french art movement that developed roughly between 1886 and 1905, from the last impressionist exhibition to the birth of fauvism. post-impressionism emerged as a reaction against impressionists' concern for the naturalistic depiction of light and colour.

explanation: