Me with at least one of them! (subject is music) 1. which person or group brought polyphonic music into the christian church? a) hildegard von bergen b) the notre dame school c) pope gregory d) guillaume de machaut 2. who created a songbook of liturgical melodies and a singing school? a) hildegard von bergen b) guido d'arezzo c) guillaume de machaut d) pope gregory 3. which phrase best describes a motet? a) a composition with original melodies composed with secular texts b) a secular form of music consisting of three to fix voices, often in italian c) standardized chant repertoire of the roman catholic church d) a specific set of melodies for singing roman catholic religious texts

1。 B
2。C
3。can't be A or D I think it is B becauseA motet is two or more verses playing simultaneously
I am not 100% sure if these are the correct answers though

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.