If this is you right now raise your hand *slowly raises hand* Even if we both break down tonight
And you say you hate me
And we go to bed angry
I know everything will be alright
I'll be here waiting
I promise I'm changing
I just need

A little time to show you I'm worth it
I know that I can be a difficult person
I'm a stress case drive you up the wall when I'm workin'
Actually I'm prolly worse when I'm not you don't deserve it
Make you nervous 'cause you know I'ma break soon
Every time I do I say something that hurts you
Actin' like I'm gone, but we both in the same room
I don't like to be wrong which I know you relate to
And I know I make you feel like you're at the end of your road
That's when I look at you and tell you I'd be better alone
That's just the pride talkin' isn't it cause both of us know
I'm the definition of wreck if you look into my soul
Comes out the most
When I feel I'm in a vulnerable place
Made a lot of mistakes
I wish I knew how to erase
When I'm afraid
Might get distant, and I push you away
But no matter the case
I'ma do whatever it takes
Even if

Even if we both break down tonight
And you say you hate me
And we go to bed angry
I know everything will be alright
I'll be here waiting
I promise I'm changing
I just need time
I, I need time
I just need time
I, I need time
Time, time

Yeah
Way before I bought you the ring
We were fightin' back and forth like you were wearing the thing
Two passionate people not afraid to say what they think
Lead to passionate conversation when it's hard to agree
You know me well sittin' on the edge of my seat
Lookin' at life over analyzing everything
Always depressed tryn to find a better version of me
Searchin' for somethin' I knows prolly right in front of my feet
Stubborn as me?
Maybe not but you're close to it
Got a lot of issues I'm tryna work through 'em
Going to therapy for you's somethin' that's worth doing
When I know you been there for me through all of my worst moments
And I know it hurts knowin' that I carry this weight on my chest
Making it difficult for me to open up and connect
A lot of regrets
I apologize for all of the stress
That's not what I meant
To do
You know I love you to death
Even if

Even if we both break down tonight
And you say you hate me
And we go to bed angry
I know everything will be alright
I'll be here waiting
I promise I'm changing
I just need time
I, I need time
I just need time
I, I need time
Time, time
I just need time
I, I need time
I just need time
I, I need time
Time, time

perhaps donatello’s landmark work – and one of the greatest sculptural works of the early renaissance – was his bronze statue of david.  this work signals the return of the sculpture in the round figure, and because it was the first such work like this in over a thousand years, it is one of the most important works in the history of western art.

david is shown at a triumphal moment within the biblical storyline of his battle with the philistine, goliath.  according to the account, after david struck goliath with the stone from his slingshot, he cut off his head with goliath’s sword.  here, we see the aftermath of this event as david stands in a contemplative pose with one foot atop his enemy’s severed head.  david wears nothing but boots and a shepherd’s hat with laurel leaves on top of it, which may allude to his victory or to his role as a poet and musician.

before donatello’s work, david was typically depicted as a king, given his status in the old testament.  here, however, we have a stark change in the way david is depicted.  not only is he shown in the, but he’s also a youth.  in middle ages, nudity was not used in art except in certain moral contexts, such as the depiction of adam and eve, or the sending of souls off to the underworld.  in the classical world, was often used in a different, majestic context, such as with figures who were gods, heroes, or athletes.  here, donatello seems to be calling to mind the type of heroic nudity of antiquity, since david is depicted at triumphal point in the biblical narrative of his victory over goliath.

as for david’s youthfulness, donatello has gone back to the early life of the biblical david to depict him, rather than to his later life as a king.  it seems that donatello is trying to associate david’s youth with an innocent and virtuous life.  david looks young here – so young, in fact, that his muscles have barely developed enough to hold the large sword – that his victory over his foe is all the more improbable.  could david’s victory have been gained without divine intervention?   donatello’s work seems to imply that the answer is “no” – the victory was god’s rather than man’s.

in any case, donatello’s david is a classic work of renaissance sculpture, given its judaeo-christian subject matter modeled on a classical sculptural type.  it was revolutionary for its day – so much so that it did not get copied right away.  the idea of the life-sized sculpture-in-the-round evidently took some time to sink in and become an acceptable statue type