Which statement is true about benin saltcellars from the renaissance period?
a.
japanese patrons purchased the saltcellars to hold salt on their dining tables.
b.
artists made the benin saltcellars by carving on plaster.
c.
the saltcellars combined benin and portuguese imagery.
d.
the benin saltcellars had simplified forms with little detail.
e.
the forms and designs on the saltcellars inspired chinese artists.

Became a common baroque tool? a. compositional movement b. classical perspective c. linear perspective d. the s-curve

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Symbolic proportion is a. the relative size relationship between religious figures and other part of a work of art. b. the apparent disproportionate relationship between objects within a piece. c. the manipulation of visual characteristics in order to emphasize one specific figure. d. the use of geometric arrangements to show religious imagery or to tell stories. select the best answer from the choices provided