But at that moment i glanced round at the crowd that had followed me. it was an immense crowd, two thousand at the least and growing every minute. … i looked at the sea of yellow faces … faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. they were watching me as they would watch a conjurer about to perform a trick. they did not like me, but with the magical rifle in my hands i was momentarily worth watching. and suddenly i realized that i should have to shoot the elephant after all. the people expected it of me and i had got to do it; i could feel their two thousand wills pressing me forward, irresistibly. what makes the narrator in “shooting an elephant” by george orwell realize that he is going to have to shoot the elephant afterall?

Ancient greek dramas originated as celebrations of the a. dionysus b. zeus c. apollo d. ares

Which part of a page layout holds text or images or a combination of the two? a. foreground b. panel c. gutter d. white space

Up un pics vviru 15 ul luciuiuc pily! june and sylvio speak to mr. teller in the driveway of their farmhouse. it is raining hard, and they all carry umbrellas. a dog sits on the steps of the house. june: we didn't think you'd be coming back for the puppy. mr. teller: i said i would when i dropped the puppy off. it's raining at june and sylvio's farmhouse. mr. teller islae owner of lucy, the puppy. mr. teller wants his dog, lucy, back. lucy was a puppy at first but is now a dog. sylvio: yes, but that was months ago. we thought you'd be back for the puppy in a couple days. now she's a full-grown dog. we have raised her ourselves, we built her her own doghouse, and we love her. mr. teller: but she's my dog. i only dropped her off at your house for safekeeping since i had to go out of town on business. now i'm back and i want my dog back. sylvio: i don't know, mr. teller. we love lucy like our own. we want to keep her. mark this and return save and exit next submit exit session