Which of the following is true about japanese calligraphy and painting? a. there is a philosophical link in the importance of the present moment in zen, and the necessity of rapt attention to the present moment in the creation of one of these paintings. b. there is a philosophical link in the importance of the present moment in zen, and how the artist lays down the brush. c. there is a philosophical link in the importance of the present moment in zen, and how the artist represents the idea he or she portrays.

There is a philosophical link in the importance of the present moment in Zen, and the necessity of rapt attention to the present moment in the creation of one of these paintings.  

Further Explanation:

Japanese calligraphy is a kind of calligraphy of Japanese language. It is a form of artistic writing. Wang Xizhi who was an Chinese calligrapher is known to be one of the most esteemed calligrapher from the 4th century when when the innovation of Hiragana and Katakana took place, that brought the new and distinctive writing system in Japan and that produced different styles that were intrinsic to Japan.  

There are Chinese roots related to the Japanese calligraphy which go back to the twenty-eighth century BC.When this writing became an instrument of administration for the state, There was a need of Uniform script popped up and that was felt by the Prime minister of Chinese Qin Dynasty, Li Si and he then decided o standardize the script along with the way it was written.

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Answer Details:

Grade: High School

Chapter: Japanese Calligraphy

Subject: Arts

Keywords: Japanese, Calligraphy, China, Qin Dynasty, Administration, Distinctive, Directive system, Hiragana, Katakana.

a. There is a philosophical link in the importance of the present moment in Zen, and the necessity of rapt attention to the present moment in the creation of one of these paintings.

Explanation:

    Sho is the writing of ideograms in a single movement without retouching. When the being itself emerges with the ideogram and is identified with the movement of the hand and body, the sho overflows.

    Morita Shiryu (1912-1998), Japanese calligrapher, one of the leaders of zen-ei-sho said about the Japanese calligraphy process:

"A unique, non-turning movement that assimilates and absorbs everything - ideogram, brush, paper, space - in itself ... When the movement, which is the convergence of all forces in a single execution, comes up, and more, when it is transcended, and I, ideogram, brush, paper, shape, rhythm, time, space, my mind, finally, when everything has been transcended, everything exists as one. At this moment, nothing holds me and I can be myself. "