The image above is of the color wheel used by artists. if an artist wanted to create a artwork with analogous colors, how would he/she use the color wheel to achieve this result? a. the artist would want to decide on a single hue, and then he/she would use the neighboring colors to the left and/or right of the chosen hue. b. each time the artist chose to use a certain hue, he/she would want to make sure that all hues next to it in the artwork are from the opposite side of the color wheel. c. the artist would want to choose a certain hue to begin, and then alter the hue by adding tint and tone to the hue to create values. d. the artist should consider only the intensity of the colors he/she uses, since all colors work well together so long as their intensities compliment one another.

2.the bottom number of a time signature tells a. what kind of note equals one beat. b. how many beats are in the measure. c. how many measures are in the song. d. the tempo of the song 3. in the time signature 24, the is equal to one beat. a. half noted b. quarter note c. eighth note d. dotted half note 4. in compound meters, the beat is evenly divided . a. three b. five c. four d. two 5. in cut time a(n) equal to one beat. a. quarter note b. eighth note c. dotted quarter note d. half note 6. which of the following is not a dynamic marking? a. mezzo forte b. diminuendo c. alla breve d. pianissimo 7. are rhythmically equivalent to a half note. a. quarter b. whole c. sixteenth d. eighth 8. are rhythmically equivalent to a dotted quarter note. a. sixteenth b. quarter c. half d. eighth 9. to the degree of complexity of one or more musical parts that occur simultaneously. a. meter b. texture c. improvisation d. dynamics 10. which of the following pairs are not synonyms? a. alla breve, cut time b. meter, time signature c. note, pitch d. crescendo diminuendo

While fragileworks of art might be best preserved in a locked box, museums routinely display such objects. why do museum professionals feel it is important to share these artifacts?

Natural minor half steps between scale degrees 3 and 4; 7 and 8 harmonic minor half steps between scale degrees 2 and 3; 5 and 6 ascending melodic minor half steps between scale degrees 2 and 3; 5 and 6; 7 and 8 major half steps between scale degrees 2 and 3; 7 and 8