SOMEONE PLS HELP ME WILL GIVE BRAILYEST IF YOU GIVE 3 PARAGRAPHS. Write a 3 paragraph paper. 5 Sentences each paragraph.
Is music a language?
Why or Why not?

Music is a universal language. Or so musicians like to claim. “With music,” they’ll say, “you can communicate across cultural and linguistic boundaries in ways that you can’t with ordinary languages like English or French.”On one level, this statement is obviously true. You don’t have to speak French to enjoy a composition by Debussy. But is music really a universal language? That depends on what you mean by “universal” and what you mean by “language.”

Every human culture has music, just as each has language. So it’s true that music is a universal feature of the human experience. At the same time, both music and linguistic systems vary widely from culture to culture. In fact, unfamiliar musical systems may not even sound like music. I’ve overheard Western-trained music scholars dismiss Javanese gamelan as “clanging pots” and traditional Chinese opera as “cackling hens.”

Nevertheless, studies show that people are pretty good at detecting the emotions conveyed in unfamiliar music idioms—that is, at least the two basic emotions of happiness and sadness. Specific features of melody contribute to the expression of emotion in music. Higher pitch, more fluctuations in pitch and rhythm, and faster tempo convey happiness, while the opposite conveys sadness.Perhaps then we have an innate musical sense. But language also has melody—which linguists call prosody. Exactly these same features—pitch, rhythm, and tempo—are used to convey emotion in speech, in a way that appears to be universal across languages.

Explanation:

i really hope this helps man

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.