Knife Under My Pillow Sorry, I don't mean to freak you out
But I hear someone inside my house
Heart racing, keepin' me awake
Paranoia slippin' in
Checkin' all the locks again
It's so loud inside my head
Got me feeling paralyzed
I can't see without the lights
A chill is runnin' down my spine
Starin' out the window
A knife under my pillow
But it's all inside my mind
Oh, I'm holding on for dear life
Why's this happen to me all the time?
Got me starin' out the window
A knife under my pillow
But it's all inside my mind
I know I've made this call before
Not crying wolf, I'm pretty sure
There's just some things I can't erase
Paranoia slipping in
Checking all the locks again
It's so loud inside my head
Got me feeling paralyzed
I can't see without the lights
A chill is runnin' down my spine
Starin' out the window
A knife under my pillow
But it's all inside my mind
Oh, I'm holding on for dear life
Why's this happen to me all the time?
Got me starin' out the window
A knife under my pillow
But it's all inside my mind
But it's all inside my mind

Red and orange? or not

The answer is a true

The correct answer is:   [c]:   " ansel adams " . 

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.