When critic Sadakichi Hartmann wrote the following quote in a 1904 article for Camera Work, what was he critiquing? “We expect an etching to look like an etching, and a lithograph to look like a lithograph, why then should not a photographic print look like a photographic print?”

a)the colors of tonalism

b)the manipulations of pictorialism

c)the lack of privacy in street photography

d)the lack of realism involved with abstract art

Match these items. match the items in the left column to the items in the right column. 1. aesthetics in art, a technique for defining shape, also used to create a sense of depth 2. composition a perceived line that describes three-dimensional form 3. contour line a method of presenting an illusion of the three-dimensional world on a two-dimensional surface 4. line (pronounced "uhvrr") — a work of art; the sum of the lifework of an artist, writer, or composer 5. oeuvre the way an artist organizes forms (lines, shapes, etc.) in an artwork, either by placing shapes on a flat surface or by arranging forms in space 6. patron the relationship of one part of a person, building, or object to another; for example the size of a statue's head in relationship to the rest of the body 7. personification the study of beauty or good taste; anything related to the study of beauty or good taste 8. perspective giving human characteristics to something that is not human 9. proportion generally a wealthy person who pays an artist to create a work of art; throughout much of history artists could not have survived without "patronage" 10. symbol an object or word or gesture that represents something else

How does global media in the contemporary media landscape contribute to our perceptions of cultural identity domestic and foreign?

One art critic referred to painters in the fauvism movement as "wild beasts". where did that title come from? what were some of the characteristics of fauvism?