Yeah I've been tryna call
I've been on my own for long enough
Maybe you can show me how to love, maybe

I'm going through withdrawals
You don't even have to do too much
You can turn me on with just a touch, baby

I look around and
Sin City's cold and empty (Oh)
No one's around to judge me (Oh)
I can't see clearly when you're gone

And I said, ooh, I'm blinded by the lights
No, I can't sleep until I feel your touch
I said, ooh, I'm drowning in the night
Oh, when I'm like this, you're the one I trust
(Hey, hey, hey)

I'm running out of time
'Cause I can see the sun light up the sky
So I hit the road in overdrive, baby, oh

The city's cold and empty (Oh)
No one's around to judge me (Oh)
I can't see clearly when you're gone

And I said, ooh, I'm blinded by the lights
No, I can't sleep until I feel your touch
I said, ooh, I'm drowning in the night
Oh, when I'm like this, you're the one I trust

I'm just calling back to let you know (Back to let you know)
I could never say it on the phone (Say it on the phone)
Will never let you go this time (Ooh)

I said, ooh, I'm blinded by the lights
No, I can't sleep until I feel your touch
(Hey, hey, hey)

(Hey, hey, hey)

I said, ooh, I'm blinded by the lights
No, I can't sleep until I feel your touch

Answer (b) create a social media account and share clips of their recordings;

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.