HELP Read the following scenario:
A production company is assembling a team of graphic designers to work on a big-budget science fiction film. The hiring panel has
narrowed the list of candidates to four. Candidate A has experience working on big-budget feature films and is known for producing quality
work. She is also known for being temperamental and prefers working alone. Candidate B is a recent college graduate with limited
experience designing for feature film. She has a comprehensive portfolio and is eager to learn new techniques. Candidate C has experience
working animation. He recently left a well-established production group to strike out on his own. He is good at collaborating and willing to
try new techniques. Candidate D is a recent college graduate. He has completed an internship with a major production design studio, but has
focused on commercial advertising and has no experience in film. Which candidate is most likely to be hired?
Candidate C
candidate D
candidate B
candidate A

Too plenty can't figure it out

Answer/// geometric period, archaic period,and classical period; geometric period is usually dated from 1000bcthe archaic and classical are 336bc to323bc;

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.