So you'll just work us to death? We'll sure try.

Wow! That blew my mind!

"What's the difference?"
How can you say that?

One job forever?
That's an insane choice to have to make.

I'm relieved. Now we only have
to make one decision in life.

But, Adam, how could they
never have told us that?

Why would you question anything?
We're bees.

We're the most perfectly
functioning society on Earth.

You ever think maybe things
work a little too well here?

Like what? Give me one example.

I don't know. But you know
what I'm talking about.

Please clear the gate.
Royal Nectar Force on approach.

Wait a second. Oheck it out.

- Hey, those are Pollen Jocks!
- Wow.

I've never seen them this close.

They know what it's like
outside the hive.

Yeah, but some don't come back.

- Hey, Jocks!
- Hi, Jocks!

Buddhist painting from india, nepal, and tibetthe production of buddhist manuscripts illustrated with images of various buddhist deities and/or scenes from the life of shakyamuni flourished in bihar and bengal (present-day eastern india and bangladesh) under the rule of the pala dynasty (ca. 8th - 12th century). the illustrations of the gods that appear in these manuscripts were based on descriptions found in indian texts intended to the practitioner mentally invoke the form of the deity. these texts provide the artist with the basic schema of the image, detailing what an image should look like, from the posture, gesture, and color of the deity, to the attributes (objects he or she holds that symbolize specific powers or knowledge).similarities among the buddhist paintings in this section, which are from india, nepal, and tibet, stem from a variety of reasons. they include the continuous trade and contact provided by trade route linkages and the tendency of artists working abroad to emulate indian models, but the main reason is due to the fact that the gods' depictions in the art of all three countries are ultimately dependent upon the meditation texts described above. in addition, during the pala period, pilgrims, monks, and students from all over asia, but particularly from nepal and tibet, flocked to the region's prominent religious centers; when they returned home, they took the pala style with them in the form of portable items such as manuscripts and small sculptures.