1) Fill in the chart showing the development of Western musical notation by describing which elements of music were represented by each type of notation. Examples might include exact pitch, melodic shape, rhythm, meter, or other musical parameters. 2) Write a paragraph comparing and contrasting the medieval music styles of motet and madrigal

1. 4-line staff

F, C, or G clef

notes on 5-line staff with clef

mensuration (longas and breves)

time signature (perfect or half circle)

most recent

notes on 5-line staff

modern clefs

modern note values (whole, half, quarter, and so on)

modern time signature

Italian words and abbreviations for dynamics and tempo

staccato, slurs, and so on

2. Motets and Madrigals. Briefly compare and contrast these two forms from the Renaissance. Listen to the Josquin Desprez motet and the madrigals of Weelkes and Jannequin and use them as examples for comparison. Your opinion is valuable. Please expand on what you read in the lesson and other sources

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.