In An actor prepares what is the narrator’s response to being on stage

i would love to you but i cant see a picture. i see that you already told someone before that i wont let post pictures on well i can kinda of you. posting pictures on here with your question is so much easier if your posting them on the app on your phone. if your trying to post a picture on a computer what you have to do is find out the name of the painting or equation, and once you've got that go to google type in the name and ta-da! and then last but not least you have to copy it. at the bottom of where you typing out the question you sould have this thing that looks like a paper clip and hit that and it should let you add it on here.

i hope this

have a great day  

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.