Copy down the rhythm, and finish it by adding notes and rests to complete the last two measures. Be sure to continue with the accurate number of beats per measure, and use at least one rest and a variety of notes in each measure.

One possible

Bar 3: quarter note, quarter rest, two eight notes, quarter note

Bar 4: half note, half note

Explanation:

In the attachment, the yellow highlights, called bar lines, separate the bars.

There are four bars. Each bar has to have the same number of beats. I counted the beats in red. "+" means 1/2 a beat.

There are different types of notes, and they each have different amounts of beats.

See the first bar:

The first one with an empty head, a half note, is worth 2 beats.

The second one with a filled head, a quarter note, it worth 1 beat.

The third note is actually two notes together. They are two eighth notes, each worth 1/2 a beat. Together, they are 1 beat.

2 + 1 + 1/2 + 1/2 = 4

In the second bar, there are four quarter notes. Each quarter note is 1 beat.

Check the number of beats in this bar.

1 + 1 + 1 + 1 = 4

For the third and fourth bars, choose any combination of notes that give you 4 beats.

See the other picture for a summary of notes and rests.

sorry. my computer broke down and i had about 3 doctor's appointments. i'm just catching up now after reinstalling a router.

i think you best answer to this is d. some film directors were very picky about roles and lighting and and which side of the face the camera should catch. they were also picky about sound and background noise and chatter and music and all sorts of what we would consider trivial things. a stage director has to have all this ironed out before the curtain goes up. if he doesn't he better do it soon. if he doesn't notice, critics soon will, and they are not a very nice bunch.

e: both have the power to ask for rewrites. theater directors are always yammering about act 2.

c is true. both can ask for any number of things during rehearsals. the reason i wouldn't pick c is because a film director can make changes anytime during shooting, including when he thinks they ought to be done shooting.

b i didn't know what blocking was and i can't find a good description. if you have one and think b is true, go for it.

a a film director quite frequency chooses the leading lady or man. he may not have the final word, but he chooses. sometimes a theater director has no choice. a is generally not true.