Both modernism and postmodernism conceive of interpretation as inherent to its object: without it we do not have access to the work of art. The break between modernism and postmodernism is thus to be located within this inherent relationship between the text and its commentary … If the pleasure of the modernist interpretation consists in the effect of recognition which 'gentrified' the disquieting uncanniness of its object ('Aha, now I see the point of this apparent mess!'), the aim of the postmodernist treatment is to estrange its very initial homeliness
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Both modernism and postmodernism conceive of interpretation as inherent to its object: without it we...
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