The roman artist who sculpted naked aphrodite crouching at her bath (lely’s venus) (1.2.8a, 1.2.8b) did so in such a way that it invites the viewer to move around the work to see more. describe the differences in the work from side to side that are evidence of this compositional idea.

Which statement is true with regard to beethoven? a. ludwig vin kochel catalogued more than six hundred of his compositions. b. he was the official composer for the powerful and rich eszterhazy family. c. he produced the best piano sonatas and the “ninth symphony” after losing his hearing. d. he wrote the well-known opera “the magic flute” during the last years of his life.

Match these items. match the items in the left column to the items in the right column. 1. aesthetics in art, a technique for defining shape, also used to create a sense of depth 2. composition a perceived line that describes three-dimensional form 3. contour line a method of presenting an illusion of the three-dimensional world on a two-dimensional surface 4. line (pronounced "uhvrr") — a work of art; the sum of the lifework of an artist, writer, or composer 5. oeuvre the way an artist organizes forms (lines, shapes, etc.) in an artwork, either by placing shapes on a flat surface or by arranging forms in space 6. patron the relationship of one part of a person, building, or object to another; for example the size of a statue's head in relationship to the rest of the body 7. personification the study of beauty or good taste; anything related to the study of beauty or good taste 8. perspective giving human characteristics to something that is not human 9. proportion generally a wealthy person who pays an artist to create a work of art; throughout much of history artists could not have survived without "patronage" 10. symbol an object or word or gesture that represents something else

What character trait emerges as a result of jing-mei’s conflict with her mother?